meaning as literary value
This morning at coffee-time I found myself almost paralyzed here at the PC--something very like writer's block, I suppose. I'm still working through my response to Zuckerman's Writing the Blockbuster Novel, which I still have not finished reading. Even though I'm not deliberately writing a blockbuster, I still want to learn and apply what I can, for I feel Zuckerman's advice is valuable. But how much can I apply? And can I get my story to the point where I think it's good?
For this to me is the key point. My goal was and is to write a book that I would want to read. By and large, I don't want to read blockbusters. So I need to preserve those elements of my work that I regard as indispensable for a truly readable book--whatever those may be, and I'm not sure exactly what they are. I have spent several days examining the question in my journal--this is what has been taking up my writing time lately.
The best I've been able to come up with is that I'm looking for writing in which the writer shows an awareness of the meaning (or meanings) of his or her work, and has taken the trouble to go through and weave those meanings into every aspect of it, so that every detail reflects those meanings in some way. That is when a work of writing has true integrity, quality, and what I would call literary value. Of course, I also take it as a given that it must be a good story, well told--rare enough in itself.
Fussy devil, aren't I. Well, I'm suffering in an appropriate way, then, for I am turning my fussiness on myself. It's a terrible experience--but also good.
Labels: everyday life, literary theory, my life history, writing problems
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